A comparative analysis of “The rings of Saturn” and “Patience (After Sebald)”

Caroline Garcia de Souza

Resumo


Abstract: This work presents a comparative analysis of W. G. Sebald’s book The Rings of Saturn (1998) and Grant Gee’s film Patience (After Sebald) [2012]. As Sabine Wilke (2012) points out, Sebald did not provide a genre designation for three of his prose works, which means that he did not consider them as novels. Mixing up fact and fiction, his stories blur the line between literature and history, and hence establish a new form of “literary historiography” (WOLFF, 2014, p. 50). This hybridity is also manifested in Gee’s production, and this work explores in what aspects the latter can be considered an essay film, through the observation of questions of authorship and spectatorial experience. It argues that the book and the film are both based on a very similar concept of identity, according to which the writer and/or filmmaker’s I is but a tissue of citations from other texts. Likewise, it analyzes Sebald’s process of spatialization of time through the work of memory, and how this process is reflected in Gee’s inherently geographical approach, which emphasizes place and the mapping of consciousness. 

Key-words: Comparative literature; Intermedial studies; W. G. Sebald


Palavras-chave


Literatura comparada; Estudos intermidiáticos; W. G. Sebald

Texto completo:

PDF

Referências


COHN, P., GEE, G. “Grant Gee, by Pamela Cohn”. Available at: http://bombmagazine.org/article/6855/. Accessed in: 02 March 2016.

KIERKEGAARD, Soren. Eighteen upbuilding discourses. Translated by Howard Hong and Edna Hong. Princeton: Princeton University Press, 1990

KLEINBERG-LEVIN, David. Redeeming words: Language and the promise of happiness in the stories of Döblin and Sebald. Albany: State University of New York Press, 2013

McCULLOH, Mark. Understanding W. G. Sebald. Columbia: University of South Carolina Press, 2003

PATIENCE (After Sebald). Direction: Grant Gee. Production: Sara Caddy, Garreth Evans. UK: Illuminations Films, 2012, 86min, son., color., 16mm

NG-CHAN, Taien. “Mapping out Patience: Cartography, cinema and W. G. Sebald”. In: Humanities, 4, October 2015, p. 554-568.

RASCAROLI, Laura. “The essay film: Problems, definitions, textual commitments”. In: The Journal of Cinema and Media, v. 49, n. 2, Fall 2008, p. 24-47

ROOB, Alexander. O museu hermético: Alquimia e misticismo. Traduzido por Teresa Curvelo. Colônia: Taschen, 2015

RUDD, Anthony. “Kierkegaard on patience and the temporality of the self”. In: Journal of religious ethics, v. 36, n. 3, 2008, p. 491-509

SEBALD, W. G. The rings of Saturn. Translated by Michael Hulse. New York: New Directions Books, 1999

SILVERBLATT, M., SEBALD, W. G. “W.G. Sebald on Bookworm”. Available at: https://www.youtube.com/watch?v=pSFcTWIg-Pg. Accessed in: 25 February 2016

SCOTT, A. O. “A writer who defied categorization: Patience (After Sebald), a documentary”. Available at: http://www.nytimes.com/2012/05/09/movies/patience-after-sebald-a-documentary.html. Accessed in: 25 February 2016

SONTAG, Susan. Under the sign of Saturn. New York: Random House, 1981

THEISEN, Bianca. “A natural history of destruction: W. G. Sebald’s The Rings of Saturn”. In: MLN, v. 121, n. 3, April 2006, p. 563-581

WILKE, Sabine (ed.). From Kafka to Sebald: Modernism and narrative form. New York: Continuum, 2012

WOLFF, Lynn. Sebald’s hybrid poetics: Literature as historiography. Berlin: De Gruyter, 2014


Apontamentos

  • Não há apontamentos.


A Revista Clarabóia está cadastrada nos diretórios e indexada nas bases que seguem:

DOAJ  Latindex IBICT  DIADORIM  ERIHPLUS Redib MIAR WorldCat CiteFactor MLA

Licença Creative Commons
Revista Claraboia está licenciado com uma Licença Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional.
Baseado no trabalho disponível em http://uenp.edu.br/claraboia